Friday, June 7, 2013

SCBWI WINTER CONFERENCE CHRONICLES: Vol.i Interjection: Lunch At the Station!


 
    It kind of amuses me to call this post that, because there is a nice restaurant in Americus called The Station and my small group of humans have been known to go there for lunch and we always say "Lunch at the Station" on those particular days.  But we are not in Americus, Georgia at the moment.  We are back in NYC New York. It is the first Friday in February and it is also the day of the Illustrator's Intensive.  It is break time and I am headed out the door ravenously for lunch.

     As I am very unfamiliar with what is around the Station, I decide to head into Grand Central to see what I can find for food.  I son discover that there is an entire sub-level devoted to a food court.  Though this was much larger than most malls I have ever been in, the setup was familiar.  Food stations lined against the wall and some, an island of themselves, towards the center of the sub-level.

     As a vegetarian, I had to find a place that would offer veggie options plus actually be a satisfying lunch.  I am ironically picky about salad and most often really don't want to eat them, particularly when I'm someplace new in the world and you want to try good food that's different from what you could eat normally at home.  I walk around, well try to as the entire sub-level is completely crowded.  There are people everywhere, hustling and bustling to get their food or get to their next train on time. 
  There are lines out the ying-yang at most every single food station/vendor.  There were some fantastic options I found at several of the food stations, however, the lines were SO Long it could take hours just to get up to a counter to order, much less eat and get back to the conference in time.  I had to settle on this fresh sandwich and wrap area on the other side of the Station as the line was not as long as many of the others.  I ordered an egg salad croissant, a small bag of chips a drink of sorts (as I can't recall what I had to drink) and a lovely smelling cookie that seemed to be calling out to me from the side of the cash register.  No matter if your eating there or else where, you are ALWAYS given it TO GO.
 So, I took my TO GO brown bag of lunch (yes it was literally a plain brown bag) and left the food station and began to look for an available seat.  This is when I began to resent single people who decided to eat and multiple person tables.  It pretty much meant that they so rudely took up any additional places for others to sit at, making it almost impossible to find a place to sit and eat lunch.  I walked around the entire sitting area on the sub level, which included both sides of the vast station... there were NO places t sit and eat... MAXIMUM Seating Capacity. 



     I then noticed a standing table that had one or two spots available for me to go stand there and eat my lunch.   As I was going to be sitting in a chair for most of the day, I decided a little standing was probably a good thing. 
Also, I really wanted the experience of eating at Grand Central Station, not just ordering Take Out there.  I took a few shots of lunch and of my present surroundings there at Grand Central and posted them on FB.  I then put my phone away, stood at the table in my heavy winter coat, unwrapped my egg salad sandwich and began to eat lunch while I listened to the almost deafening din of people talking to their loved one's on cell phones, talking animatedly to each other about their day, good or bad, people yelling over other's heads because they lost each other in the ocean of hungry folks trying to get to their next train. 
I breathed in all the sounds with my ears and thought to myself," I' sure there are people here that complain how crowded and chaotic Grand Central Station is, but people that live somewhere never really treasure where they are, nor understand how magical it can be.  I think that Americus could never be as noisy as this place.  I truly was in a foreign space and I'm going to remember as much about it as I can. THIS is Grand Central Station: the chaos, the good food you wait forever to get then run at light speed and try to catch a train, standing up at a tall table for lunch."

     I'm glad I had the experience of eating  and being at Grand Central Station.  I did go look at the Grand Foyer on the main level, the space you most often see int films.  It is a vast space, but not as large as movies make it out to be, plus all the movies shoot it facing one angle.  You never see the 2 main hallways that lead to all the shops that line the entrance hallways to Grand Central... You never see that in a movie.  NY certainly gives you something to remember it by.  Perhaps, this is the reason everyone wants their own I Hear NY shirt when they leave; not to be cliche or predictably touristy, but because you really do end up falling in love with NY.

until next time...
Keep sketching, keep thinking, keep laughing and most important of all, keep making art. 
Cheers,
LEWIS

IF: Illustration Friday! Home Sweet Home.



     Yeah! It's Illustration Friday and I drew something for it! :0)
I am a bit tired, so I will be brief.  This week's topic is SWEET.  It's a coincidence that I am working on a logo for a cupcake bakery at this moment.  Obviously it influenced my subject.  I wanted to do cupcakes because cupcakes are on the mind. 

    I decided what fun it would be to tie in another "SWEET" reference to add another dimension to my illustration and to give my cupcake illo some flair and personality.  I decided to combine the comforts of home with one of America's most favorite comfort foods.  I wanted to illustrate the All American Dream of a white picket fence home on the top of the hill with some trim bushes, a freshly mowed lawn and a clean WELCOME front door mat.

    I, of course took an illustrator's license with my take on each of those elements to make them theme appropriate.   I added an cross-stitch emulated hand drawn Home Sweet Home at the bottom.  I hope that this image evokes the quiet, safe comforts of home.  Home really is a SWEET place to be... Even more sweet when we are enjoying a nice sweet treat.  Enjoy the illustration everyone and have a great start to your weekends.  Happy Illustration Friday!

Till next time...
Keep sketching, keep thinking, keep laughing and most important of all, keep making art. 
Cheers,
LEWIS







Sunday, June 2, 2013

SCBWI WINTER CONFERENCE CHRONICLES: Vol.4 ShowCase Me What You Got!

 Day 1. The Portfolio Showcase

     So traveling again back in time to that first day I was at the conference… (those keeping track will note that this is the day of the Illustrator's Intensive. It was a Friday.) "Back In Time!" (sing song)  This kinda makes me want to watch Back to the Future and listen to Huey Lewis and the News.

     Anyway the second half to the SCBWI Illustrator's Intensive Day was the Portfolio Showcase that evening.  SCBWI puts this together to showcase a number of it's up and coming and also established Illustrators to the Network of New York Art Directors.  It was a nice experience that I am glad I participated in.  One thing is certain, next time, I will downsize my portfolio presentation, as mine (though very clean and professional, was a bit large for the presentation space.

     You will recall the new portfolio presentation I put together specifically for this Showcase.  It was a previous blog post. Vol 1. of the SCBWI Winter Chronicle Blog Postings, actually (link below.) 
This was an extensive and meticulously planned presentation, though I admit that it did not really get to shine at the Showcase as they did not allow the presentation box to be included at the display, nor did they allow the cardholders and bookmark holders to hold any promotional items for the art directors to take…. this made for a Very sloppy Showcase Presentation, in my humble opinion.  Bad decision on the showcase committee, as I think this doesn't make the illustrators at SCBWI look very professional to the NY Art Directors. 

     I am going to take this moment to pick a nit with the showcase committee at the NY SCBWI event, should any of them ever read this post. This is really the ONLY thing I had a problem with as far as the Conference was concerned.  I am honestly shocked at the lack of professionalism that was amplified at the Showcases presentation setup.  The setup at the NY Portfolio Showcase was a logistical and practical DISASTER!  I actually passed this criticism onto SCBWI when I was at the event in a evaluation form I filled out.  The set up was several rows of foldout tables with nice clean brown or black (can't quite remember the color) table cloths.  And each portfolio book was placed (closed) right up next to each other.  Everyone's promo cards were (kinda sorta) neatly stacked above each book, however since there were no card holders and the placement of the portfolios and tables led to the kinda-sorta neatly stacked cards being strewn about to where you really had to look back and forth between a portfolio and a promo card to make sure the card went with the portfolio you had an interest in.  The table were so NARROWLY placed together and there was no organization to where and how you entered the showcase that it created this AWFUL bottle neck of people squeezing past each other rubbernecking over shoulders to try and see ANY of the portfolios.  It was like a chaotic cattle call or aimless rodeo.  I hardly got see any of the portfolios and dummy books at all because of the way this thing was setup… terrible.  You felt the need to really quickly breeze through ANY portfolio you were looking at and quickly grab a card if you wanted one and then move on because there is this herd of buffaloes beating down on you to move along so the next person can see.  ALSO the books were SO CLOSELY laid together that you couldn't even Open a portfolio book without crashing elbow into the person next to you looking at the next unit of portfolio also. SO you could not really even open the book fully to look at the artwork because you would be turning your page right into the next portfolios designated space. SO in essence you didn't really get to see the artwork at all nor was I assured that anyone got to really see my artwork…. BAD PLANNING. BAD  SETUP. BAD EXECUTION. FOR SHAME, SCBWI. FOR SHAME.

     I was further vindicated by my opinion of this when I went to SCBWI Southern Breeze's Illustrator's Day.  The Portfolio setup at the Spring Fling was FANTASTIC and should have been the way it was setup in NY.  Take point, NY SCBWI Portfolio Showcase Planners for next year.  Spring Fling had a REAL Showcase setup.  I will discuss theirs when I write up that post.  Suffice to say, I was able to see every artists' work as well as enough room to open the portfolio books.

     Now, back to the NY showcase…  I went downstairs to turn in my portfolio. This is where I was told I couldn't use the display box in the portfolio's presentation, nor could I have my cards set up neatly, practically and professionally in a card holder that matched the rest of my presentation.  It was an organized port drop off other than that.  I was fortunate enough to get caught up in a very interesting conversation with several other Illustrators after I dropped off the portfolio.  They had also attended the Illustrators Intensive and shared interesting thoughts about what they were working on and the industry in general.  I remember discussing the future in children's storytelling, taking advantage of current technologies like story telling pas for phones and tablets.
I believe I have already mentioned shout outs to those artists in the Blog Post about the intensive.  For those I didn't they are Shouted-Outed to below.

     I had previously mentioned before that this is a very good opportunity to get your work seen by most of the Art Directors in NY… Basically half the US publishing world.  There were a few hundred participants in the Showcase… As I said several rows (at least 10 or 15) of LLLLOOOOONNNNNGGGG Fold-Out tables displaying several artist portfolios in this rather large conference banquet area.  But due to the lack of organization this turned into a free for all cattle call of chaos. 
I had an unnerving thought while I was aggressively trying to look at some of the artwork (because otherwise you wouldn't have been able to.)  I though wouldn't this be one of the worst places and spaces to be in should the zombie apocalypse outbreak happen right there and then.  I shivered it off, but unfortunately bumped into someone who gave me a dirty look for bumping into them.

     On a quick off-note there is a REALLY good zombie flick that characterizes what kind of experience I think it would be like, should the ZA happened right then.  It is the third of an Italian Film trilogy called REC (like video RECording). 
It is the origin story of the ZA breakout and it takes place at a wedding reception in a very large and vast banquet hall, very much like the one where the NY Showcase was held.  I didn't think that my chances in that environment would have been very good for survival.  As clever as I like to pride myself, I don't think I have really quick reflexes and responses to dangerous situations… This is why I am so terrible at sports.

     In any case, set-up flaws aside, What I did get to see was phenomenal.  The artists that showcased there this past Winter are an amazing group.  They kind of having me step up my game some more and re-do some of my portfolio pieces, just so I can feel like I am somewhat in the same league as some of these amazing artists.  It's simultaneously both magical and intimidating being around that many talented people.  Though I have every confidence in what I do as an artist, you still can't help but get a bit of Small Fish in the Big Pond syndrome in those types of situations. I may actually use that imagery in one of IF Friday's Challenges soon, should the weekly topic allow something of the sort.  I have included some scans of some of my favorite artists portfolios, and by this I mean their promo cards.  I have included weblinks to their sites where applicable.  This pretty much wraps up all of what I had to share about my experiences in NY this past February. 

Until next Time Travel Adventure…
Keep sketching, keep thinking, keep laughing and most important of all, keep making art. 
Cheers,
LEWIS



Vol.1 link:
http://lewiswportersketchblog.blogspot.com/2013/01/scbwi-winter-conference-chronicles-vol1.html


SHOUT OUTS: Portfolio Showcase

 Erica DeChavez

 Sara Woolley

Denni Morgan
 (Sorry *Shrug* No photo)

 Adam Winsor
 
 
AMAZING ARTISTS Promo Cards I Took:

 Jason Hart

 Elizabeth W. Wolff

 Ashley Yazdani

 Tania De Regil

 Jessica Halley

 Misa Saburi

 Caitlin Welsh
 
Eric Freeberg

 Erika Baird

 Dorothia Rohner

 Kenton Webb

 Airlie Anderson

 Andrea Ridgley

 Keith Frawley

 Kathy Penrod

  Jin Suk





Friday, May 31, 2013

IF-FRIDAY: JAWS of TENSION!


      Yeah it's Friday! Illustration Friday! This week's topic is TENSION.  I changed concepts on this week's challenge mid-stride; midweek.
     I had originally planned to do something with an animal tight rope walking.   I had it planned down to the animal, the costume style ad a foggy sense of the composition... but then something happened.

     Last Summer I picked up my vintage paperback copy of JAWS by Peter Benchley and decided to read it.  Like many books, I pick them up read them for a while then pick up some other book and read that for a while, etc.  Last month, I picked up JAWS again and began to finish reading it.  I finished the book earlier this week.  It was a very good book and I enjoyed it very much.  I particularly like the nod to Moby Dick at the very end.

 
     So this led me to thinking about watching the movie again, which I did, which led me to look at old movie posters for the film as well as some more recent fan art for the film, mostly NEW Versions of the films promotional poster.

 [poster artists left to right: 
Matt Verges, Daniel Norris and Alaine Bossuyt]

     This inspired me to decide that this week's Illustration for IF Fridays would be my homage to my most favorite film, JAWS.  I wanted a very broad scope and fairly symmetrical composition.  I thought it would be interesting to let the psychology of pop culture play the highest influence on creating the "tension" in this illustration.
Structurally, every thing in the composition is very calm and linear, few to none diagonal lines to create action, etc.  I wanted the tension to come from within the mind of the viewer, only.  It's interesting how a slight suggestion from content alone can create such inner chaos from such a quiet and serene composition. I hope you all enjoy.  Go read the book, if you haven't previously... It's worth the read.

until then,
Keep sketching, keep thinking, keep laughing and most important of all, keep making art. 
Cheers,
LEWIS



Tuesday, May 28, 2013

SCBWI WINTER CONFERENCE CHRONICLES: Vol.6 Supercalifragilisticexpialidocious

  
Day 4 of the Conference.
(Day 2 for many,  Day 4 for me)
Last Day...
 
     Several Months ago, when I started this Blog, I had vowed to blog at least once a week.  Like AA this gives you something to write about on a regular basis, though I would regularly write once a week as opposed to the AA's daily.  I thought, in the beginning, what in the world would I blog about every week. Sure, there are projects to talk about, but you can't always talk about the project you're currently working on due to certain obligations to that client, so you think about something else you previously worked on or experienced to write about that.

     I have, as of  late, fallen quite behind on several things I can share with everyone, and I plan to share it all very soon.  I have made it somewhat a duty of mine to make sure I catch up the Blog, because even though I haven't been regularly sharing, the Blogs have been stacking up waiting to "pop" out and be shared.  So you can all expect some more than regular contributing.
 
     Since I have been away, what has happened...  I competed in quite a few Illustration/design competitions for a clothing website, I have designed a logo for a new Con that celebrates everything Sherlock Holmes, I am currently working on another wonderful logo for a cupcake bakery as well as redesigning and developing a new portfolio for the children's book, magazine and the greeting card industries.
I took copious notes at the conferences I attended this year as well as some generous criticisms.  I plan on taking point and putting all the wonderful advice into action and create some new work that will better represent what I am capable of.  Also...  
I went to Vegas this year for the first time.  Not just the glitzy part of it, but I actually got to see some of the Real Nevada as well.  It has nothing to do with the art I am working on, but it was incredibly inspiring.  I had never seen a real desert before, except in photographs or in films.  It is truly more beautiful and breath taking than any lens can capture.  I think this is so, because what it seems to be missing is the human experience.  You really have to see something up close, be able to tangibly interact with it.  It's this sensory experience that evokes human emotion from anything.  The desert is certainly something that is hard to verbalize, but I can say this: I now understand why people would want to live in one.  Though I am not currently making art about my experience in the desert, I am sure I will find a way to let it seep into some of the new portfolio work I am in the plans of making.

So... long story short...
"Too Late!" 
  
... I haven't been Blogging...
... but the Blogging material has still been creating itself.   And Several months ago, I thought I would eventually get to where I would have weeks with nothing to write about...  Apparently, and surprisingly, this will never be the case.

     I digress.  This Blog entry is devoted to the last day I was in NY at the SCBWI conference.  By the way, if you are keeping track, you will have certainly noticed there is a Blog entry missing.  All I can say is that most times, when writing a story, which is very linear (most times), an author will find themselves writing it in pieces that are very much out of order.  This really seems to be my experience in writing about my SCBWI Conference experiences.  Anyway, the day is now Sunday, February 3rd (2013) and I have once again risen very begrudgingly I might add as I had a very NY Night Out the previous evening.  NY Night Out translates into staying up all night (almost), seeing an old college friend I haven't seen in AGES and bars and drinks and mischief.  SO I am REALLY relying on my coffee and 8 block walk to wake me up to finish the conference.  Let me note one thing:  Every morning, SCBWI provided bagels and muffins and every morning I never arrived early enough to really enjoy them.  Not that I didn't already have breakfast on the walk there every day, but still, I kind of felt I didn't get my money's worth in that aspect as this was the ONLY catering that SCBWI provided it's conference guests.  There was some catering also provided at the Showcase, but that was really the extent of the thought to hungry guests.








Sandra Ure Griffin (Tomie DePaola Award)


     The morning began with the Award Presentations.  I was not familiar with the winning artists, but I can tell you that their work was phenomenal. 
this was followed up with a segment by Margaret Peterson Haddix.  Her segment was called "Tell Me A Story," and she really did just that.  She explained all the best ways to explore and tell a great narrative by actually telling us one.  She talked about how she started in journalism and how this eventually led to writing children's fiction.
She is praised for her ability to tell dynamic and action driven stories.  I was absolutely mesmerized by her ability to hold an entire audience of 100 people on the edge of their seats with her own life experience at becoming a successful writer.  One detail I remember was right before she began, she remarked how great it was to be sandwiched between talented people receiving awards and Julie Andrews.  She could really think of a better or more fortunate placement for herself in the conference schedule.

     Next was the famous and magical Julie Andrews and her talented daughter, Emma Walton Hamilton.  Their segment was about the experience of writing children's series.  They gleaned several golden tidbits that would be helpful to writers that were thinking about or are currently writing character series books for children.  They kind of tag teamed the segment with a witty back and forth as is expected with mothers and daughters.  Emma kept referring to herself as the daughter of Mary Poppins, which I would certainly understand.  Not everyone can claim such a magical and talented parent.  Julie Andrews is one of a kind and you could see that Emma is very proud of her mother's lifetime of accomplishments.

Not many people know of Ms. Andrew's life as a children's author. She has been writing for many years and has built a literary legacy for generations to come.  Emma is very much a part of this, now, as they meet daily, every morning to write their books together.  They said that every sentence is, quite literally, written together; that theirs is truly a co-authorship right down to every word in every book.  It was certainly quite an experience to be in the same room with them.  I can say that Julie Andrews sounds exactly the same as she did so many years ago playing her role as Mary Poppins.  One of the funniest things they talked about that happens when they write every morning, is that due to the time difference of East coast vs. West coast, Julie Andrews has to wake up at around 4 a.m. Emma confesses that of all the things her mother, Julie, thinks about doing to prepare for their video writing conferences (taking a shower, getting dressed, combing or brushing your hair, etc.), Julia's only ritual preparation is spritzing herself with a little perfume.  They both chuckle at this confession as Emma looks over to her mother and says,"As if I would be able to smell you through the computer.  The audience bursts into laughter at this.  I chuckle some myself as I imagine Julie Andrews, whom presently has such wonderfully manicured hair and appearance, to be disheveled, bed haired frizzy, fuzzy house coat (and in my head furry slipper to match... and all pink of course) and otherwise looking a hot mess, but smelling absolutely fantastic... Practically Perfect in every way.


     And last, but certainly not least, was the fantastically funny Mo Willems.  You would think that Mary Poppins is a very difficult act to follow, but if anyone can pull it off, It's the Pigeon Man himself.  Mo's segment was on his perspective of the writing process, in regards to being successful at it.  I, however, remember a lot of humorous stories and very funny jokes from this very tall, thin animated character of a man.  One thing I really enjoyed about Mo was learning about his background in Animation.  He worked several years in television before venturing into the world of children's books.  The most important thing I took from his talk, was Character development.  This is definitely something I can relate to, as I myself have a background in Animation education.   I also, focused on animation pre-production in that part of my degree, as character development and story telling was what I enjoyed most about animation.  I found that I really wasn't very good at animation itself, nor did I truly enjoy that activity or work.  I enjoyed all the developmental illustration work that came before the first frame is even drawn.  Mo says that the most important thing in writing period is making sure your characters are truly developed.  Otherwise no one really cares what happens to them or what they have to say. He talked about how he came up with the idea of his Pigeon character and how Don't Let the Pigeon Drive the Bus was developed.
A funny similarity that I discovered is shared among many of the speakers experiences as well as the successful experiences of artists and filmmakers and writers I admire, is that they never really set out to create what it was that they ended up with creating.  It tended t be this mistake that derived from trying to create something else and ironically it is the mistake that ends up being the success and not the original project they began in the first place.   I don't really believe in deities, but I can definitely appreciate the poetry and wit of the intricacies and complexity of The Fate's tapestry of Life, you know, if I believed in such things. :0)

   Mo was the closing speaker at the conference, afterwards were the Drawing of Door Prizes, of which, I did not win anything.  I'm not the type of individual who can win a lottery, so I gathered my belongings and stepped out to get in line for the Autograph Party.

     All the Authors and Illustrators were generous with their time to sign copies of their books.  I had bought a few for M, B's adorable daughter.  She is growing to be an avid reader and she requested that B and I bring her something back from NY as she was not able to go with us.  I thought it would be cool to not only bring her some books written and illustrated by speakers I had gone to NY to see/hear, but to get them signed by them, as many of them were from all over the globe.
It was kind of like bringing back pieces from all over the world that had just so happened to all be in one place at one time in NY right then.  I think I was really more into the poetic sense of that sentiment more than M would be, but I waited in the lines to get them signed, none the less.  The last line I stood in for, was that for Shaun Tan.  His line was the absolute longest one other than Julie Andrews and Tommie DePaola's respectively.)  It spiraled around the large conference meeting area.  It was SO long that each addition to the line had to be marked by a blue post-it to help keep track of who was in line for Shaun and who was in line for anyone else.  The spiral kind of reminded me of a conch shell you would find on the beach.
And it was just as noisy too, as if you had held the shell close to your ear to listen to it echo the sounds of the ocean.  I met and spoke with and Amazing artist, Susan Detwiler (her weblink is below and SO worth checking out.)  We talked quite extensively about art, something I don't always get to do with other artists.  I mostly talk art at other non-artists, and most likely bore them, lol.  We talked our way around the conch shell until I actually had to leave early.  I didn't get Shaun Tan to sign my copy of The Arrival, which was the only book I purchased for myself, but I didn't want to miss my flight either... It was a tight window.  I was glad I met Susan.  It was a lovely artsy conversation.

     This pretty much rounds up the experience in NY.  I walked back 8 blocks to the hotel and got on the airport shuttle with B and said farewell to NY.   The funny thing is, that when you say goodbye to NY, it's never really goodbye, as NY kind of has this way of getting inside you.  You will make it back there again, someday, so it's really more like,"Till next time, NY."  :0)

...till next time,
Keep sketching, keep thinking, keep laughing and most important of all, keep making art. 
Cheers,
LEWIS


SHOUT OUTS: Last Day of the Conference

Susan Detwiler

***Some photos used are from the SCBWI official Conference blog
 and are property of the blog administrators.